[136] From 1931 the palace housed the headquarters of the Centro di Studi Penitenziari ("Research Institute for Criminal Justice") and a specialized library. During this period the popes and private patrons continued to take care of the road by founding charitable institutions and providing the area with drinking water. [59] The sides of the façade on Via Giulia are decorated with two pilasters in the shape of large hermas with female breasts and falcon heads. In the Pius V church catalogue this church is listed under the name of Santa Aura in strada Iulia. [114] The yard originally opened to a garden by the river, now lost because of the closing of the Tiber side. The pope's prompt recovery made the possibility of conclave fade away; Julius, under pressure from abroad, came to terms with the nobles, propagandizing the anti-papal pact as an agreement in his favour and revoking several decisions taken against the comune. [142], Antonio da Sangallo the Younger built the palace on land bought in 1542 by the Vatican Chapter. Connecting Ponte Sisto with the church of San Giovanni dei Fiorentini, it served a dual purpose. [54] It combined the efforts of three of Rome's master builders: Giacomo della Porta, Carlo Maderno, and Francesco Borromini. [99] Eventually the Florentine nobleman Orazio Falconieri bought it in 1638 for 16,000 scudi. [42] His son Orazio inherited the building and sold it in 1552 to Cardinal Giovanni Ricci di Montepulciano, who had the palace extended to its current dimensions by the architect Nanni di Baccio Bigio. [153] The original and the definitive design – known through three plans discovered in the Uffizi – are respectively by Raphael and Antonio da Sangallo the Younger. [37] An inscription on the interior commemorates the construction of the church by an abbot Dominicus in 1072. It was erected in 1603,[91] and was used to observe festive processions, games, and horse races in Via Giulia, particularly during Carnival. Fountain of the Mask is a tourist attraction of one of the quietest streets of Rome – Via Giulia. © 2017 Context Travel. in 1497 Alexander VI ordered the widening of the Via Peregrinorum[g][18] and the opening of the Porta Settimiana through the Aurelian Walls. [138] Today the building houses the Museo Criminologico (lit. [70] In order to avoid worse consequences, the pope was forced to humiliate himself, disbanding the Corsican Guard and erecting a "pyramid of infamy" at the Corsicans' barracks near the street. [103] During Via Giulia's 500th anniversary of the street in 2008 the altarpiece by Girolamo Genga has been restored. [31] The square was not far from the Apostolic Camera (the pope's treasury) in Palazzo Riario and the new Palazzo della Zecca (lit. [125] In the following centuries it was renovated several times, at the beginning of the 18th century by Carlo Fontana [125] and in 1853 the façade was renovated by Antonio Cipolla. To learn more about commerce in Rome take a look at our Daily Life in Ancient Rome Tour. The area south of the church of San Biagio–the central part of the Via Giulia around the Monte dei Planca Incoronati, cut in half by the new road with an act of force of the pope against one of the most powerful families of the city nobility–[45] became a slum filled with inns, brothels, and infamous locations like Piazza Padella, a venue known for duels and stabbings up to the end of 19th century and demolished in the 1930s. The history of the "Mask" dates back to 1570, when the city authorities decided to build a fountain on Via Giulia. The façade is dotted with death imagery. The building on Via Giulia houses two institutions: the Spanish national church and the Spanish Higher Center for Ecclesiastical Studies. [99] It was sold by the Ceci in 1574 to the Odescalchi family before being passed to the Farnese in 1606. Despite the interruption of the project due to the pax romana of 1511 and the death of the pope two years later, the new road immediately became one of the main centres of the Renaissance in Rome. [1] It is about 1 kilometre long and connects the Regola and Ponte Rioni.[1]. [k] The portal opens into the yard with three loggie, the first on arches, while the others have their entablature that rests directly on the columns. The project had three aims: the creation of a major roadway inserted in a new system of streets superimposed on the maze of alleys of medieval Rome; the construction of a large avenue surrounded by sumptuous buildings to testify to the renewed grandeur of the Catholic Church; and finally, the foundation of a new administrative and banking centre near the Vatican, the seat of the popes, and far from the traditional city centre on the Capitoline Hill, dominated by the Roman baronial families opposed to the pontiffs. [8][9] History; Local Living; Opinions; Recipies; Books & Culture. "papal road"), inhabited by curial employees; the Via Peregrinorum (lit. the author to antedate to #%"$ the inception of Via Giulia in Giulio II's program. According to legen, on one night of the year 1720, it was wine—not water—that spilled from the fountain’s mouth, during a massive celebration along Via Giulia. [108], The history of this church is closely linked to the Sienese Brotherhood. [43], In 1448 Florentine merchants who resided in Rome (many of them settled in the Tiber bend, today's Ponte rione), founded the Compagnia della Pietà, akin to the Florentine "Misericordia". Walks in Rome. Palazzo Falconieri formed in the seventeenth century as a result of remodelling by the Baroque architect Francesco Borromini. 34), 16 San Filippo Neri in Via Giulia (Via Giulia 134 bis), 17a Palazzo del Gonfalone (Via del Gonfalone 29), 18 Santa Maria del Suffragio (Via Giulia ad. [67] The only works of some importance were the façade of San Giovanni dei Fiorentini, by Alessandro Galilei, the church of Santa Maria dell'Orazione e Morte, by Ferdinando Fuga,[71] 1. "papal road"), inhabited by curial employees;[4][a] the Via Peregrinorum (lit. [142][33] With Julius II's death in 1513, construction completely stopped. The street became one of the first important urban planning projects in papal Rome during the Renaissance, with palaces and churches built by the most important architects of the time, from Raphael to Antonio da Sangallo the Younger. On the one hand, it facilitated commerce along Tiber river, as it provided a link with the port of Ripa Grande. [65], Despite these interventions the meaning of the street in the city structure did not change. Best price and money back guarantee! Near the Basilica San Pietro and Vatican City. [53], Despite all these construction activities, the character of the street did not change: brotherhoods, nobility, thieves, upper middle class and prostitutes lived next to each other in the street, which remained an axis of service. [86][87] The fountain consists of an ancient large marble mascaron ("Mascherone") on a background with volutes in marble, crowned by the symbol of the Farnese, a metal Fleur-de-lis. Posts are written by Context staff located in our offices around the world. [155] Both popes from the Medici family, Leo X and Clement VII (r. 1523–1534), promoted the influx of Florentines. While it is rarely open to visitors, this church is worth stopping by. [92] This private retreat of the Cardinal, decorated with frescoes by Giovanni Lanfranco, was accessible from Palazzo Farnese through a terrace and the Arco Farnese. Sixtus IV della Rovere, in the reorganization plan of the city, in 1478 restructured this street called “mercatoria” because it connected the area with high financial potential (Piazza di Ponte S.Angelo) with the markets of Campo de ‘Fiori and Piazza Navona. [57] One of the most glamorous celebrations was held by the Farnese in 1638 to celebrate the birth of the French dauphin, the future king Louis XIV. [103] Both properties were acquired and rebuilt by the sculptor Guglielmo della Porta. At the end of the 17th century the road took on a triple face, which it would maintain for another 150 years: an area of building speculation in the north, a detention centre in the middle, and an elegant location in the south,[67] theater of feasts and games. [46] This area, lying between Via del Gonfalone, Via delle Carceri, Via di Monserrato and the Tiber, was a major district of ill-repute since the Middle Ages; a manuscript from 1556 reports about the quarter around the eventually demolished church of San Niccolò degli Incoronati hosted "... 150 houses of very simple people, whores and dubious persons ...". [123] On the side facing Via Giulia, a continuous façade gave the complex its present uniform appearance. [35] Due to that, the feuding Orsini and Colonna families and the other Barons reached an agreement (known as the Pax Romana), in order to ask at the upcoming conclave the restoration of the commune authority and the abolition of various taxes. And the priests who belong to the Center also administer the church. Drawing on the expertise of the 1500 docents who lead Context Walking Tours worldwide, this travel blog is designed to feed the curiosity of serious travelers. [52], At the beginning of the 16th century it had become fashionable for the various nations and city-states to have their own churches built in Rome: these were known as the chiese nazionali. [74] However, this did not stop the general decline of the street that started in the middle of the 18th century. [109][117] The Centre is attached to the Spanish National Church of Santa Maria in Monserrato on the Via di Monserrato behind it, and its history is closely connected with that of the church. [103] Above the architrave of the windows on the first floor the inscription "FRANCISCVS TANCREDA ET GVILELMVS D(ella) P(orta) ME(ediolanensis) – S(culptor) CI(vis) RO(manus)" can be read. [110] Since it was in a dilapidated state, it was rebuilt between 1766 and 1768 according to Paolo Posi's designs,[111] while the interior decor was completed in 1775. "straight road", a name common to ma… [134], As a sign of new Justitia Papalis, he had the new penal institution, the Carceri Nuove, built in Via Giulia. [3] The maze of narrow alleys was criss-crossed by three narrow thoroughfares: the Via Papalis (lit. [126][127] After extensive restoration work carried out in 1986, the church is open for worship. [8], After Pope Martin V (r. 1417–1431) returned to Rome in 1420 at the end of the Western Schism, the influx of pilgrims increased significantly again, especially in the Jubilee years. All rights reserved, Uncovering El Raval, Barcelona’s Gentrifying Neighborhood, Out There in Venice’s Lagoon: New Directions at the Biennale di Architettura, My favorite spot in Istanbul- by Max Vetter, Guest Post: Natalie Holmes with Refugee Support, Visiting New York- 36 Hours for the Curious Traveler, The Truth Behind Skip the Line Tickets in Rome. [103] It was partially sold to the Ducci family in the second half of the 20th century. [65], During the fascist period, in 1938 Benito Mussolini[79] ordered the construction of a wide avenue between Ponte Mazzini and the Chiesa Nuova. [148] In 1649 it was bought by the Florentine Sacchetti family, whose name it still bears. [101] From 1814 Cardinal Joseph Fesch, uncle of Napoleon Bonaparte lived there, and from 1815 to 1818 he hosted his stepsister Laetitia Ramolino, the emperor's mother. [86] In 1549 it was designed according to Vignola's drawings and completed by Giacomo della Porta in 1589. [85], The fountain diagonally opposite Palazzo Farnese was built around 1626 by Carlo Rainaldi and paid for by the Farnese. [59][60] San Giovanni, thanks to its slender dome, gave the street a vanishing point; the prisons, erected near the never-built palace of the courts of the Bramante, revived Julius II's idea of bringing the Justitia Papalis into the street; Palazzo Falconieri, finally, added value to the street in an area characterised until then only by Palazzo Farnese, which turns its back on Via Giulia. [151] After Sangallo's death in 1546 the building was owned by the Florentine Migliore Cresci. Beside these works are worth of mention the churches of Sant'Anna dei Bresciani and Santa Maria del Suffragio,[62] and various renovations and mergers, such as that of Palazzo Varese, by Maderno, and Palazzo Ricci. "The Big Fountain of the Sistine Bridge") was built on the façade of the beggars' hospice on Via Giulia. [64] In 1613, the Fontanone di Ponte Sisto (lit. [130] The edifice was abandoned after the war before being restored in 2000 for non-religious purposes. [55], At the end of the 16th century, Via Giulia's path was defined for good; it ended by the Florentine quarter to the north and the Ospizio dei Mendicanti to the south. The Via Giulia was originally projected by, and named after, Pope Julius II. [89] The garden between the façade and the Via Giulia was once adorned by the Farnese bull (now in the National Archaeological Museum in Naples). 28–33, Inscription at the east end of Ponte Sisto: XYSTVS IIII PON MAX / AD VTILITATEM PRO PEREGRINAEQUE MVLTI/ TVDINIS AD IVBILEVM VENTVRAE PONTEM/ HVNC QUEM MERITO RVPTVM VOCABANT A FVN/ DAMENTIS MAGNA CVRA ET IMPENSA RESTI/ TVIT XYSTVM QUE SVO DE NOMINE APPELLARI/ VOLVIT (, Inscription of the Via Florea: QVAE MODO PVTRIS ERAS ET OLENTI SORDIDA COENO PLENAQVE DEFORMI MARTIA TERRA SITV EXVIS HANC TVRPEM XISTO SVB PRINCIPE FORMAM OMNIA SVNT NITIDIS CONSPICIENDA LOCIS DIGNA SALVTIFERO BEBENTA PREMIA XISTO O QUANTVM EST SVMMO DEBILITA ROMA DVCI "VIA FLOREA" BAPTISTA ARCHIONIVS ET LVDOVICVS MARGANIVS CVRATORES VIAR ANNO SALVTIS MCCCCLXXXIII (, Inscription at the entrance to the Via del Pellegrino: ALEX VI PONT MAX POST INSTAVRATAM ADRIANI MOLEM ANGVSTAS VRBIS VIAS AMPLIARI IVSSIT MCCCCLXXXXVII (, IVLIO.II.PONT:OPT:MAX:QVOD FINIB:DITIONIS.S.R.E.PROLATIS ITALIAQ:LIBERATA VRBEM ROMAM OCCVPATE SIMILIOREM QVAM DIVISE PATEFACTIS DIMENSIS Q: VIIS PRO MAIESTATE IMPERII ORNAVIT (, Inscription above the portal: IVSTITIAE ET CLEMENTIAE SECVRIORI AC MITlORI REORVM CVSTODIAE NOVVM CARCEREM INNOCENTIVS X PONT. We start at Via Acciaioli and go to Via Giulia in Rome in Italy on Saturday November 7 in 2015. D.O.M 5 star hotel is located in the heart of the historical center of Rome, in the famous Via Giulia, in the main artistic area of the city. [151] The palace for some time belonged to the Tuscan Consulate in Rome. [112], The palace opposite Santa Caterina da Siena was built between 1617 and 1618 by Carlo Maderno on behalf of Monsignor Diomede Varese. The front consists of two upper floors and a mezzanine, and is divided by several axes of irregularly spaced windows, which testify how the building was born by merging several pre-existing edifices. [106] The palazzo was owner later by the Baldoca and Muccioli families. [146], 23 Palazzo with the Farnese coats of arms, Antonio da Sangallo the Younger built this palace as a private residence around 1535–1536. [74], One of the most important state school complexes in Rome was built between 1936 and 1939 by Marcello Piacentini. Via Giulia In 1508 Pope Julius II, of the powerful della Rovere family, commissioned Bramante to design Via Giulia, named in honor of its patron. detail • The history of Via Giulia . [42] The façade still bears the chipped coat of arms of Paul III. [61] Half a mile long and paved with typical Roman cobblestones, this street has been in existence for a little more than 500 years. [146] On the left is the coat of arms of Cardinal Alessandro Farnese and on the right the coat of arms of his brother Ottavio Farnese or of Pierluigi Farnese, both Dukes of Parma and Piacenza. This was necessary to make it easy for the thousands of pilgrims to reach St. Peter’s Square. ), 15 Santo Spirito dei Napoletani (Via Giulia ad. It originally functioned as a palace that was connected to a much larger church known as the Santa Lucia del Gonfalone. [137], The building between the Vicolo della Scimia and Via del Gonfalone has no entrance from Via Giulia. The road, named after its patron, had been also called Via Magistralis (lit. One minute from pedestrian bridge Ponte Sisto over river Tiber, and very close to open-air grocery market place Campo de’ Fiori, you will immerse yourself in Renaissance Rome. [20][19], In addition to reconstructing St. Peter's Basilica, Julius II implemented multiple projects in the framework of Rome's urban renewal (Renovatio Romae) in the Ponte, Parione, Sant'Eustachio and Colonna rioni, a task which was started forty years before by his uncle, Pope Sixtus IV.
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