Introduce me! The first thing you have to do is learn how to play the bass from here to here.' "He had this clarity of sound, and his intonation! And that put me into another place in my life. I got to know him better when he had a trio in the Alberta Lounge. That was my first real introduction, my concept of how the bass should be. The drummer said, 'Chuck, you keep looking at that bass. I studied with him for nine months, and from there on I studied with everybody else. “Sophisticated Lady” sparks a conversation between Brown and Ellington; the piece begins with Brown’s solo, complete with trills and slides that allude to the melody. Ray Emmett Brown, actor and lawyer. "Some of it had to do with technical things, such as the steel strings and amplifiers and pickups. Real Bass Lessons 205 - Blues In G, Ray Brown Style - YouTube It was just incredible, a phenomenal thing to watch, the great Ray Brown, sitting there being a student. He essentially created a counter-melody that steered the song through the changes and, when it was time to groove, he was ready to throw down with funky, blues inspired embellishments. Ray Brown’s lasting legacy among jazz musicians is his contribution to bebop as a musical style and to the bassist’s role in that. You can hear all these things that are discussed about Ray by his fellow bassists in Gene’s piece - his big, “long” sound, the placement of his notes, his choice of notes to compose lines, how he makes the overall sound of the band better - to great advantage in the following video. I said, 'Don't you understand? Ray-Ban Blaze General RB3583N 58mm (Gunmetal/Brown Gradient) Fashion … When the Manchester police arrested Ray Emmett Brown on … "In 1960, when Oscar and Ray and Ed Thipgen had the Advanced School for Contemporary Music in Toronto, I went up to study. Spirituality. Ray Matthews Brown was born in Pittsburgh in 1926 and started on piano, switching to bass as a member of his high school orchestra. . It is almost impossible to find him at home in Los Angeles. , so hip and ahead of its time that it failed. Browse 7,852 ray brown stock photos and images available, or start a new search to explore more stock photos and images. Ray Brown was born October 13, 1926, in Pittsburgh, Pennsylvania and took piano lessons from the age of eight. This mature and sophisticated approach to using percussive dead notes or slick melodic lines as he transitioned from chord to chord demonstrates his accountability as the driving rhythmic force. Ray was really one of the guys that carried that on into the next generation of players, John Heard said, "Ray Brown and I are from the same town, Pittsburgh. With Paul I just kind of lay there, put myself in a trance when I play. Next thing I knew I was eighteen years old. In the early 1950’s, Brown recorded and toured with the Modern Jazz Quartet and began a long stint with the Oscar Peterson Trio. By 1962, I was getting involved with Paul Chambers, Scott LaFaro, Sam Jones, and Blanton — and Milt Hinton, of course! His father wanted Ray to play like Fats Waller, and, later, like Art Tatum. In a small bowl, mix the sugar, salt, rosemary, sage, and pepper for the dry brine. 10% Off. . For that matter, much of the material recapitulates excercices found in Simandl and other bass methods. He doesn't slide around. In my own way I've tried to play good strong time and get a big sound out of the instrument. Both of them had so much to say, and so much technique and drive in them. "In 1985, I went to Israel with Dizzy Gillespie, Mel Lewis, Frank Foster, and Ray. His solo explores the range of the instrument, but in a perfectly controlled and well-phrased manner. University of Chicago Find it. I played, I did all that stuff, and I came back to Los Angeles fifteen or so years later, and the studio work was still there. We had a beautiful night with them. He said, 'Sure, he's a friend of mine.' I looked at his bass, and said, 'Would you mind if I tried it?' In fact, he makes everyone better by just showing up. I can't think of any other bass player that every bass player feels is an icon. Oliver Nelson was here, and J.J. Johnson, and there were musical supervisors around this town who were really excellent musicians. 4,744 talking about this. He's been so kind to me, and he's always such fun to be with. ', "And Mancini, never having heard a note that I played, said, 'Oh sure. Select from over 1000 fonts with latest transperent background. I would follow Ray around to recording sessions, and I saw these big-name stars he was playing for, and I'd sit in a corner with my mouth open. Discover the complete selection of women's sunglasses and men's designer shades through the iconic Ray-Ban models. When I saw him, and heard him, he took the mystery out of the bass for me. We talked about music for hours every day. "Insight, Candor, Observation, Discernment, Delineation, Style, Diligence, and Purpose:" What we strive to achieve on these pages. I am blessed to have been able to stand as close to him as I do. ", Dizzy told me: "Ray Brown's always been that type of guy, very, very inquisitive. The Chicago Manual of Style Online is the venerable, time-tested guide to style, usage, and grammar in an accessible online format. And then at fourteen, I found the bass. But then they ran my picture in the paper, in connection with some job I had, and the teacher saw it. I'll introduce you to Hank.' "But that's not the reason I gave up piano. The thing that he has you can't describe. Gigi Hadid Outfits. With a vacancy in the high school jazz orchestra, he took up the upright bass. When Henry Mancini needed a bass player for his then-new television series, he called Ray Brown. He was the link. When I was playing bass with Jimmy McPartland, I'd get a little drunk, and he'd turn around and say, 'Play the fuckin' bass.' "Frankly, I credit Oscar [Peterson] with a lot of my development. Ray is pretty much the same way. Within a few years, Brown became well established among New York’s jazz and bebop circuit, playing with Gillespie, the Jazz at the Philharmonic, and Ella Fitzgerald (in addition to being her accompanist, the two married for a short period of time). He would get right to your heart, it seemed. His hands were so perfect. Ray Brown. Mancini. A. "I can hear three notes on a record, and know it's Ray Brown. "In the mid- '60s, when I was with Chico Hamilton, we did a. tour. A friend of mine let me borrow a bass and practice it. "When Ray moved out to L.A., everybody panicked. MARY CHING mary@raybrownpro.com 917-385-4633. It's some little inner thing. Ray Brown / Ray Brown T …. "My teacher was Frank Lisanti. "I was playing up in the Laurentians with a trio. I've seen Buddy sit down at a set of what I call soggy drums and make them sound like his. He brought a strength and energy and. There's almost no way to speak about it. But Ray wanted to know why.". Ray's old and dear friend and golf partner Herb Ellis, white haired, his step slowed by time, was one of those who paid tribute. Brown passed away in his sleep after a round of golf on July 2nd, 2002, just prior to a performance in Indianapolis, Indiana. TRY NOW. "I think one of the finest examples of him and Oscar Peterson and the trio was the. "Besides, I was in a high school orchestra and there must have been fourteen piano players in it. "I wish he didn't live so far away, so I could hear him more often in person. Jul 28, 2020 - Shop Women's Ray-Ban Brown Black size 53-18-145 Glasses at a discounted price at Poshmark. I want to meet him! - The Editorial Staff at JazzProfiles, "Anyone who has gone through Life and missed this music has missed out on one of the best things about LIVING. I just couldn't believe it. I thought, I have never heard the bass played like that. I just had that feeling of how Ed Thigpen must have felt. They’re usually older than you, but not always. There was a strength. Ray-Ban Erika RB4171 54mm (Transparent Brown/Brown Gradient) Fashion Sunglasses $132–147. "I was shaking in my boots when he got through. "To show you the love and concern that Ray Brown had for this hungry young buck who wanted to make playing the bass his life, I got star eyes. You don't even know how to play the bass, you haven't made any music, you haven't seen the world. "I was with a piano player who wanted to study with Oscar. They were both so intense. "His solo concept was kind of like Oscar [Pettiford]. Ray has that mechanism within him, like a tuning fork, that keeps him straight. Take a look at all the shapes available: pilot, square, round and rectangular. He did the same thing. And Ray Brown went ballistic on me. Whereas Ray was always a statement, never a wasted note, he wanted everything to count. Ray is as much a part of that equation as Oscar and Herb. It was a Japanese album. And I actually asked Shelly if he would not play on the first tune, so that I could have the experience of playing with Ray and Herb, which I dearly enjoyed. Ray and Oscar came over and said, 'Hey, Chuck, how you been?' I’m also a huge fan of his and Ellington’s take on “Things Ain’t What They Used to Be,” from the Blanton album. I’ve shared this quotation from trumpeter, composer and band leade... "At first, you usually emulate the master drummers. "After I'd been with Dizzy about a month and figured I had everything down, I cornered him after the gig and said, 'Diz, how'm I doin'?' George Shearing got sick and for about two weeks, he was replaced by Oscar, Ray, and Ed Thigpen. Watch the teaser audio clip, and if you like it, share it with your friends and family. But you have to match the pressure of the left hand to the pull of the right. It happened that he was recording with Mancini the following week. He was a junky. Anything he ever did, his golf, his cooking. Brown’s credits read like an encyclopedic list of jazz greats from the second half of the 20th century, and for good reason. (Despite their deep friendship, they often clashed.) raymond brown iii in different styles to view and download. Oscar [Peterson] can tear you apart. For he is joy."”. He would sound like a kid when he'd talk about it. He said when he got farther along, he was going to have this guy Ray Brown. It had this woody sound. Kenny plays pretty well. We all have our icons, but every bass player, no matter what style — avant-garde, bebop, Dixieland, straight-ahead, fusion — bows down to this man. He had the perfect body to play the string bass. And I got a call from the contractor who said, 'Mr. There was never a bass player that didn't want to hang out with Ray. Subtract the music and you have just another chronicle of aberrant thought and behavior. Bob and I became friends and we went to hear Ray Brown together. They were both so up on the beat. While we were talking, he said, 'Dizzy Gillespie just came in.' From the last recorded and released performance of the Ray Brown Trio, “America The Beautiful” begins with a lighthearted bass introduction that weaves through the key. Would British writer Geoff Dyer, for example, have found Bud Powell, Charles Mingus, Art Pepper, and the other walking pathologies celebrated in his BUT BEAUTIFUL (Farrar, Straus, 1996) so fascinating had it not been for the music they made? He was later quoted as saying, 'I made a living rushing the beat. At that time most bass players were playing kind of thumpy. ?' I hung up the phone, and my heart sank. Grab a 4-pack of custom No Treble coasters. Ray picked up the student's Kay student-model bass, worth about $125 at that time, and got his own huge sound out of it. CHARLIE HOLTZ charlie@raybrownpro.com 917-686-9959. I realized later that that was how he made his living. Buy Now. He said, 'Nobody. Dark Green T-Shirt ₹1709 ₹1899. He took every situation in hand and made the best of it.". "For the whole world, we've never needed Ray Brown more than we do now. The arpeggios are real arpeggios. With a dour expression, Ed said, "They both rush.". The teacher used to think, That Ray Brown, he's really serious, the way he practices.' Of which we don't have one left in L. A. Poses References. Ray Brown's moving to Los Angeles.' ", "Oscar said that Ray can be very bad for some pianists, because he so easily overpowers them.". Now it's a shame, the kids are playing with amps and they're not getting the sound. "He is one of the most unusual people anyone will ever meet. One thing the beat never did was slow down! When you play that often, and every night, you have to stick pretty close to the same arrangements, if you're going to hold it together. John said: "When I was sixteen years old and getting serious about the bass, I started classical lessons. Two weeks later, we picked up Milt Jackson, who was my roommate for two years. He never edited what he said. Everything he had at home I played on. But not to play it, which he continues to do magnificently and constantly. I was so fortunate. Ray is one of the most honest people I ever talked to in my life. Ten months after this celebration, Ray would be dead. And he held his hand at the top of the bass and the bottom of the bass. And I did become a part of it. As the drummer and pianist infuse other rhythmic elements, Brown remains the steady time-keeper until end of the song where they all hit together in a big-band arranged fashion. Rach's kid-friendly recipe for Asian-style brown rice incorporates good-for-you edamame beans. An'i Had'id. Anything he played on “We Get Requests” by the Oscar Peterson Trio(especially Days of Wine and Roses) perfectly encapsulated Ray Brown’s style, even though he almost never takes a solo. He was very serious about your becoming technically a very legitimately good player. Hal Gaylor knew Oscar Peterson early — in Montreal. When the trio would play Chicago, Ed often would stay at my house. He would listen, he would check it out. Then he told Bob to play. Meditation. Ray has that kind of talent. I realized what an elegant trio I was really listening to, what real gentlemen they were, and what bright, brilliant men these three guys were. / Micke …. The company’s sunglasses have graced some of the … Each coaster is printed in full color on thick, premium coaster board and cut precisely into a 3.7" circle. "Bob Ciccorelli was a symphony bassist who played jazz. Welcome to Brand Breakdown, a series of comprehensive yet easy-to-digest guides to your favorite companies, with insights and information you won’t find on the average About page.. How about you? "There are some brilliant bass players today who get big sound out of the instrument. There's his choice of notes, never mind anything else. He carried on the tradition of Oscar Pettiford and Jimmy Blanton and took it to the next step. I noticed it was so thick. Ray-Ban frames are available in a number of iconic styles to suit all face shapes and provide timeless looks. Nobody walks the way he does. Image of dark, crack, abstract - 173089992 I was supposed to do this quartet thing with Herb Ellis and Ray and Shelly Manne. But that's just the point: the music can't be subtracted: it's the defining essence, which sets musicians apart, makes them special and ultimately a little mysterious. . With a gentle piano accompaniment, Brown then takes the melody, phrasing it as any vocalist would, and leaves space for nuanced piano accents. Cite it. He's not gonna hurt your work, he's gonna help it. So I said, The hell with it,' and went. Bought the Blanton album as a College Music Major Bass and then I bought the Brown Bass method…….Still have both and use them to teach with over 35 years after I bought them!!!!! Boxing Girl. They'd been kids together. I used to take it home weekends. But nobody comes close to Ray Brown.". Would that be okay? Ray just came right in and did the same thing that he'd done to the jazz world. He says what he means and he means what he says. In order to create a work of your own in this style, first think of what subject you would like to draw (fish, kangaroos, lizards, and people are traditional subjects). The whole thing is there. After that you have to go on to Red Mitchell and Scott LaFaro. Off-White Shirt ₹1799 ₹1999. The one time I heard them play in a duo, it seemed solid. 1. In his later years, Brown recorded and toured with his own trio and focused on education, mentoring and developing instructional books, including the incredibly popular Ray Brown’s Bass Method. Man, I must have worn that record out. Milt introduced me to my wife, Cecille. If it gets the sound I want, that's it. And Red Mitchell had that same sense of melodic-harmonic choice of notes. That sounds like a strange thing, I know. Beyond being the best player — there are guys who've got more chops — what he does is to make the band sound better than it would if he wasn't there. "I've heard a lot of great bass players. 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